Guilty of great entertainment
The Belstone Players have a long established reputation for good shows but with their production, 'Dame Agatha's Greatest Case,' the company, presenting a whodunit and intermittent musical that becomes a who-couldn't-have-dunit, was undoubtedly guilty of presenting entertainment of the highest quality. The library setting on stage would have been envied by any professional repertory company, thanks to design and construction by Ross Gammie and Arthur Herbert and artistic director Caroline Jones made every use of the benefit it provided to the cast and especially to three little maids led with comic confidence by Eileen Birch. Their near G & S introduction to a night of murder, mystery and music set the seventeen performers off at a pace that most maintained as the complexities of the killing of a Government Minister during one evening in a guest filled Brandling Hall were considered by that cantankerous Queen of super sleuths, Dame Agatha Crustie herself. Margaret Martin avoided the trap of trying to recreate a Tv tec and wiped the floor with the official investigator, Inspector Corner (of Scotland Yard) John Birch, and made mincemeat of the hapless detective as she considered who might want to murder Humphrey Yewtern, a government minister whose clouded background seems somehow familiar? While Robert Reddington and Jim Goodwin portrayed two gangsters Ronnie Bigg and Barry the Hatchet in a manner that made them murder suspects an outstanding contribution by Peter Radlett and the Butler was very much appreciated. But, did the butler do it? There was Elsie Nore, a lady of the night capable of theft at least since Janice Goodwin stole every scene she appeared in. But there were many more suspects that appeared beneath the beady gaze of Dame Agatha before she solved her greatest case and, judged by the audience, the entire company was found guilty of making this a top rate production. |